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KT Tunstall - Acoustic Extravaganza

About.com Rating fourhalf out of Five

By Kim Ruehl, About.com

KT Tunstall - Acoustic Extravaganza

KT Tunstall - Acoustic Extravaganza

© Virgin Records, 2006

The Bottom Line

KT Tunstall starts her latest effort Acoustic Extravaganza with a line that, in less capable hands, could set the stage for an album that's just trying too hard. "I am a pain in your ass," Tunstall sings, following it quickly with a clever chorus, "when you burn out ... your ashes come home to me." It's just this sort of ingenuity that made Tunstall's debut worth checking out, and the sort of clever artistry that abounds on Acoustic Extravaganza.
Pros
  • Ashes
  • Throw Me a Rope
  • Miniature Disasters
  • Gone To the Dogs
  • One Day
Cons
  • None

Description

  • A decidedly more folky take on Tunstall's simple arrangements
  • Song after song of honest, memorable tunes
  • KT Tunstall's sophomore effort proves that all the buzz surrounding her is worth it

Guide Review - KT Tunstall - Acoustic Extravaganza

Where her debut felt a little more like a folk artist trying to start a conversation with mainstream audiences, Tunstall's follow-up is a decidedly folk album, employing elements of work by pioneers like Arlo Guthrie, as well as the pop-tinged sensibilities of contemporary songwriters like Neko Case. Each song hums with a slightly alt-country tinge.

She chose to take the band to the far-off island of Skye, about which plenty of folk songs have been written. Indeed, in many moments, particularly on the lovely "Change," the sea and Skye have their own presence in the production.

Tunstall's songs are not driven by sophisticated lyrical intricacies, but it’s the simplicity that makes her work so provocative. On her Web site, she attributes her singing voice to having studied Ella Fitzgerald. But it's not Tunstall's voice that drives this record, nor is it the impeccable performances from her very talented band. What steers Extravaganza further from the radio-friendly poppiness of Telescope and closer to an honest, songs-for-the-sake-of-the-songs quality is her natural songwriting skills.

Even the sudden modulation in "The Girl and the Ghost" feels less like an obligatory pop modulation, and more like something the song really calls for. She moves through it sleekly and purposefully. The song eventually turns into something more catchy and memorable than many contemporary folk-rock songs, but only because that's what makes sense.

The bottom line is that Acoustic Extravaganza feels like a real KT Tunstall album. That she was able to churn it out in a relatively short amount of time with few missteps is a testament to the wealth of talent we can expect to hear from KT Tunstall in the future.

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