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Grayson Capps - Wail and Ride

About.com Rating four out of Five

By Kim Ruehl, About.com

Grayson Capps - Wail and Ride CD

Grayson Capps - Wail and Ride CD

© Hyena Records

The Bottom Line

Grayson Capps' fourth album, Wail and Ride is a testament to the vitality and resilience of New Orleans. There are songs about his hometown, like "New Orleans Waltz," and then songs that just feel like they've beed rolling around on Decatur Street, hopped up on raw oysters and daiquiris. Like the Big Easy, you'll leave this record feeling maybe a little hungover, but more alive than you were when you started.
Pros
  • New Orleans Waltz
  • Daddy's Eyes
  • Poison
  • Broomie
  • Cry Me One Tear
Cons
  • None

Description

  • A moving collection of songs that personifies the spirit of New Orleans
  • Capps' fourth CD is his most vital, from "Poison" to "Waterhole Branch"
  • The next best thing to Tom Waits himself

Guide Review - Grayson Capps - Wail and Ride

Wail and Ride opens with the title track—an ode on Louisiana—with lines that drip with heat and ardor, like, "muddy shores, muddy sores between my toes, ain't no telling where that muddy Mississippi River flows."

Grayson Capps comes from a place where everyone you pass in the bar has a story, and a thickly poignant, somewhat dark one, at that. With Wail and Ride, Capps sings songs as diverse and flamboyant as the people of New Orleans, complete with all the things that matter—booze, Jesus, good times, and channeling the spirit of Marie Laveau.

On the sensitive tip, Capps rolls out "Daddy's Eyes," a self-efacing dirge about getting nothing right. In a voice wrought with both earnestness and resignation, he sings, "Nothing ever gets done around here because I'm always drunk / Daddy's eyes are going blind."

This moves on to another dirge-like love song, "Mermaid," where he sings about the woman that graced him with her presence,"you got the magic of a mermaid, you swim where I drown." By the end of the song, however, he's "sinking deeper and deeper into hell." Ouch.

But from there, we move on to "Broomy," and we're back in good humor, singing about street sweepers, bums, and other ne'er-do-wells. In other words, life as usual in "that rotten old town that everyone loves."

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